Mansion: We shall live EP ulkona nyt!

Aloittaja Vekenator, 12:18:42 - 14.02.2013

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papu

koskahan
mä oon "mestoilla" sellaisessa paikassa, josta tän musapändin levyn voi
"poistaa" elikkäs "ottaa haltuun" tai niinkuin jotkut sanoo, ostaa?

Vekenator

Paranoid music blogi arvosteli

"There are plenty of good bands out there that play occult rock, Finland's Mansion plays 'cult rock'.  They are a six piece band, but for all that is known about them there could be a hundred of them, not all of them musicians, huddled together in a mansion somewhere in the frost-bitten north.  Only christian names are given, and just a few photos have emerged of the band while playing live.  They exist as a muted and esoteric secret, only paying homage to the world outside when they speak through their instruments.  'We Shall Live' is their first attempt to communicate their cryptic message to the masses.  Mansion's music is devotional music, non-traditional gospel that revives a dead religion for a new day and age.

When they do speak, a clean sound emerges.  Usually you associate doom with a scraggly aesthetic, ragged dark tones and lazy tempos.  Mansion's riffs are streamlined, satisfyingly doomy with gilded edges.  Vocals have an almost glossolalic tinge at times before settling into a more traditional rock and metal sound, in order to spread the message to the masses.

For the history buffs, there is reason to Mansion's madness.  The name of the band is taken from the surname of Alma Kartano who led a religious cult in Finland from the 1920s through to the 1950s, which was collectively known as Kartanoism.  Kartano is the Finnish word for Mansion and at its peak the Kartano cult could count about around a hundred devotees to its numbers.  The cult was notable for using children as preachers while apocalyptic feverishness mired the movement in a dour and lengthy period of waiting for the second coming.

According to their short bio, Mansion were "brought together to create strong music reflecting the life of the cult's followers".  Staying true to this vision, lead vocals are sung by a woman, also calling herself Alma, who takes on the spiritual essence of the original Alma.  Thick atmospheres of devotion greet the listener on first play with a lone organ and quiet vocals heralding opening track "Mother's Burden".  Right off the bat, this establishes a worshipful tone to the church of Mansion.  When you see the promo photos of the band surrounded by devotees and children with all present dressed in black sexless clothing, it's easy to get a 'cultish' vibe from this band.  As a matter of fact, I didn't realize Mansion's cult-like imagery was based on anything at all aside from an earnest drive to express themselves before I read their bio and still I was ready to have Mansion be cult-leaders for this review.  "Mother's Burden" is a true epic, rotating between killer riffs with driving tempos and that devotional sound that the band will soon become famous for, the band has a unique vision and they are able to impart that to listeners, even to those that don't know the actual history behind the band and their partial inspiration.

The religious overtones carry over into the title track and spill out across the second side of the EP.  Another trick of the trade that Mansion brings to the table are loose and stray bits of ambience between, in and around their songs which create an upright and attentive mental state before slamming in to listeners with those powerful riffs again.  Often, the band builds up a strong head of steam with their powerful riffs and solid tempos, before pulling the rug on listeners by cutting the speed of their songs by half and allowing the solid edges of the music to blur like solidified smoke breaking up.  The technique is not abrupt, is actually quite subtle and very nearly creates a true state of rapture or musical bliss (see "Sorrowless" for a prime example of this).


Of the four songs on this EP, "Slumber Sermon" is clearly the slowest of the bunch and brings those religious, monastic feelings to a head in a cataplectic dirge.  This is a very accomplished debut EP.  Based on the quality of riffs and the number of subtle musical techniques spread throughout, it plays out as though a lot of thought has been put into the music and makes this EP a whole and complete work.  I will definitely look forward to a full-length album from this band.  This is an incredibly solid introduction to a band with a unique vision.  The EP is available for pre-order on the band's bandcamp page (see link at bottom of page) and there are a number of preview tracks available for streaming there, check them out or repent!

Highlights include: "Mother's Burden" and "Sorrowless"

Rating: 4/5"

Vekenator

"Okkultistisen rockin rinnalla versoaa uusi genre, kultti-rock. Mansion-yhtyeen kappaleet kertovat Satakunnassa 1920-1950-luvuilla vaikuttaneen, Vanhaan Testamenttiin ja Ilmestyskirjaan nojautuneen kartanolaisuus-uskonlahkon jäsenten elämästä. Ainoa yksityskohta, mikä ei natsaa, on se, että musiikki ja sen soittamiseen ja toistamiseen tarkoitetut modernit laitteet olivat lahkon piirissä ehdottomasti kiellettyjä. Mitäs pienistä, kultin uusi lihaksi tuleminen ei onneksi kanna taakkanaan vuoden 1886 virsikirjapainokseen liittyvää veisuuperinnettä.

Neljän biisin kaksitoistatuumaisen vinyylin takakanteen on kuvattu Huittisten kirkkomaahan vierekkäin haudattu lahkon johtokaksikko Alma "Mooses" Kartano ja horrossaarnaaja Tilda "Elias" Reunanen. Kuva ei liene aito, mutta sen ylväät naishahmot henkivät asiankuuluvaa pirullisuutta. Kaksikko kidutti, uhkasi kuohitsemisella ja käytti rituaaleissaan seksuaalisesti hyväksi seuraajiensa lapsia. Osa heistä aivopestiin lapsisaarnaajiksi.

Vieläkin vaikuttavampi on We Shall Liven etukannen valokuva, missä esiintyvät tutut hahmot lienevät kartanolaisten nykyisiä inkarnaatioita. Mielessä välähtää muistumia piinattujen sielujen vaellusta sivunneista kauhuleffoista. Kannen kompositio muistuttaa 80-luvun postpunk- ja neopsykedelialevyistä.

Mansion operoi Jess and The Ancient Onesin ja Seremonian sukuisella maaperällä. Omaperäinen taustatarina ja laaja-alaisemmat musiikilliset vaikutteet enteilevät Mansionille valoisaa tulevaisuutta ja nostavat bändin retrohenkisten protometallikollegojensa yläpuolelle. Lempeän äidilliseltä kuulostavan, Jinx Dawsonin ja Sonja Kristinan sielunsisko Alman saarnaa ja urkuja säestävät Jaakobin ja Veikko-Tapion melodiset doomriffit sekä rytmiryhmä Immanuelin ja Mikaelin tiukka komppi. Hillityistä synalisukkeista vastaa Aleksanteri.

Tarttuvasta Mother's Burden -biisistä tulee mieleen Dario Argenton The Three Mothers -elokuvatrilogia. Painajaismainen päätöskappale Slumber Sermon käsittelee nimensä mukaisesti Tildan unissasaarnaamista.

Aakkostetussa levyhyllyssä Mansionin EP:n voi sujauttaa Charles Mansonin LIE: The Love and Terror Cult -albumin viereen. Se on kätevää.

8/10

Jari Mäkelä"

http://www.sue.fi/2013/07/mansion/

Vekenator

Sori ku spämmäilen, mutta menkööt!

Øresund Space Collectiven Scott Heller Arvosteli myös.

"Mansion is a mysterious release from Finland. The band name refers to the Finnsh Christian apocalyptic Masonite cult, Kartonoism, which existed from the 1920-50s in Finland and was led by Alma Kartano. The band is a five piece playing music like early 80s NWOBHM but with cool female vocals. Each side of the record plays on 45rpm and features 2 tracks. Mother's Burden starts very slow and peaceful but then the mood changes when the heavy guitars and like choir keyboard kicks in. Alma has a special voice that commands your attention. Powerful and emotional in music and lyrics. We Shall Live, the title track is more organ driven and has a cool groove and sort of just sucks you into the mystic vibe of this band.
Flip the record over now and Sorrowless starts with some cool female like choir vocals with some delays as the bands slowly works it way up and then the track kicks in. IT has a similar vibe to the untempo rock of the first side. Somber Sermon ends the side and this is the best track as it gets more and more intense and a bit doomy at times. Some might compare them to Seremonia but I don't think they have much in common besides a female vocalist. Very cool Ep. I can't wait to hear a full length."

idiootti

Spämmää vaan, näitä on mukava lueskella.

Vekenator

Lainaus käyttäjältä: idiootti - 14:18:55 - 02.07.2013
Spämmää vaan, näitä on mukava lueskella.

Don't mind if I do! Alkaa kyllä oleen jo aika saman toistoa joka puolella :)

http://social.entertainment.msn.com/music/blogs/blog--new-band-alert-mansion

"It was sometime back in early spring when I first heard word of a strange new doom band out of Finland. Calling themselves Mansion, they combine traditional doom, occult rock, and the philosophy of the obscure Kartanoist Christian sect, which existed in Finland between 1920 and 1950. Derived from the Finnish word for "estate" or "mansion", Kartanoism was also the namesake of founder Alma Kartano, and its followers, which topped 100 at one point, lived strictly ascetic lives, practicing strict sexual abstinence and dressing plainly while awaiting the end of the world and the second coming of Christ, who would judge all sinners.

Much like Sabbath Assembly's treatment of the philosophy of the Process Church of the Final Judgment, there's a level of sincerity in the four songs on Mansion's mesmerizing debut EP We Shall Live that's both enthralling and unsettling. Atop superbly crafted doom arrangements, a singer who calls herself "Alma" – clearly singing from the perspective of Alma Kartano – intones the lyrics with such stone-faced conviction that you're taken aback by it. "I will carry on waiting for the day," she sings. "We shall live; you will die. Every weakling will expire, their sins will be the wall we'll climb out of the darkness into the light." Is she proselytizing? Is she paying homage? Is this all tongue-in-cheek? It's sold so convincingly that it's impossible to tell, and that added mystique makes the songs all the more intoxicating.

Musically, We Shall Live fits neatly between Jess and the Ancient Ones and Purson, but has a much stronger air of mystery. It might be only 22 minutes long, but it is unquestionably one of the best debuts of the year so far. It has just been released on vinyl in a limited first pressing of 200."

papu

Lainaus käyttäjältä: Vekenator - 14:50:44 - 03.07.2013
Alkaa kyllä oleen jo aika saman toistoa joka puolella :)
Levyarvioissako, MITÄ??? :o


salozka

Toi Roadburn-uutinen kyllä mahtavuutta! Vekenator pääsee tsekkaamaan festarin artistin näkökulmasta :)

Vekenator

Seuraava keikka:

NATURE MORTE
Volume II: La Récolte des Simples

SAMMAL
GARDEN OF WORM
MANSION


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Vekenator

Vinyyli vetelee ihan viimeisiään, eli jos semmosen haluaa saada, niin kannattaa olla nopea.

Vekenator

"Finnish six-piece Mansion base their work around concepts taken from the mid-20th Century Christian cult Kartanoism, which branched off the Lutheran church and was founded by and named for Alma Kartano, was noted for things like having heavily-abused child preachers, speaking in tongues, denial of sex even in marriage, and so on. "Kartano" is "mansion" in Finnish, and so the band Mansion make their debut with the We Shall Live EP on Svart with a strong sense of background in the history of this movement that at one point contained hundreds of people. I had doubts as to whether or not Kartanoism existed — there's a Wikipedia page about it, it's mentioned in the description of a book and namedropped on an ex-pentecostal forum — but even if not, that only makes the band more creative. Their frontwoman has also taken the name Alma, and joined by guitarists Jaakob and Veikko-Tapoi, keyboardist Aleksanteri, bassist Immanuel and drummer Mikael, Mansion proffers complex and memorable end-time heavy rock the perspective of which might best be summed up in the extension of its title: "We shall live/You will die/Lost in time." The historical realism of the concept notwithstanding, it's this point of view that really separates Mansion and We Shall Live from the slew of modern cult heavy rockers. Where a band like The Devil's Blood preached Satanism during their time, and Uncle Acid are more bent on drugged-out murder idolatry, Hexvessel offer folksy nature worship on a vehement environmentalist scale and American groups like Castle, Satan's Satyrs and Venomous Maximus run themselves somewhere between all of the above, Alma and Mansion are just as quick to damn their audience as to project an air of superiority. Some of that is vocal inflection, but I'll argue it's in the music as well and certainly in lyrics like the above-quoted or "Give is the names/Give is the guilty/So we may cure/Those that are filthy" from "Slumber Sermon," the final of the four cuts on the half-hour-long EP. To the very core of what they bring to their first release (some Bandcamp digital singles seem to have preceded), Mansion remain loyal to their aesthetic and to their concept.

Where that might lead one to expect some element of the Kartanoist era's music to make its way into Mansion's repertoire — some brass instrument or upright piano or such — that's not how the songs play out. There is some organ to be heard from the synth and opener "Mother's Burden" begins with a kind of humming drone over which Alma slips into resolute and dramatic tension, but We Shall Live remains a work of heavy cult rock. Those who had experience with The Devil's Blood will find a few superficial sonic similarities, though Mansion are far less psychedelic than that Dutch outfit wound up. Still, Alma's powerful vocals on top of driving, chugging riffs like that which takes hold on "Mother's Burden" are effective if true to (sub)genre at this point. By the time the release is finished, Mansion have developed a personality of their own within it, but especially with the underlying swirl the synth creates and the metallic hooks that stand out from "Mother's Burden," there will be those for whom We Shall Live rings familiar. Fortunately, as much energy as the band dedicates to sticking to their founding concept, they match that with the fortitude of their songwriting. Each of the four tracks on the EP — "Mother's Burden," "We Shall Live," "Sorrowless" and "Slumber Sermon" — has both a standout feel and something that ties it to the others, making We Shall Live both an engaging first installment from Mansion and a satisfying front-to-back listen. "Mother's Burden" breaks in its second half to choral layering and ringing bells, building back to a slower refrain of the chorus, and rides that rhythm for a while as a guitar solo takes hold, but draws back to the faster chug to round out symmetrically before giving over to "We Shall Live," the shuffle of which proves worthy of the aforementioned Uncle Acid but becomes fleshed out with organ sounds and Alma's vocal drama as it works its way toward another slowdown and well-structured apex."

http://theobelisk.net/obelisk/tag/mansion/

Levy on edelleen omakustanne vaikka tuossa arviossa sanotaankin, että Svart on julkaissut sen...